I wrote this post after attending a University of Birmingham talk last week 🙂
Last week I was lucky enough to attend a provocative and thoughtful discussion of the relationship between classical Greek tragedy and the development fascism in Italy, Germany, and Greece. The speaker was my wonderful colleague Eleftheria Ioannidou, and the occasion, our fortnightly Classics, Ancient History and Archaeology research seminar (all are welcome!).
The full title of the paper (‘Classicising modernity: Performances of Greek tragedy and the cultural poetics of fascism’) helped to unpack some core issues economically, in particular, how fascism and the idea of ‘the modern’ were rooted in complex understanding of ‘Greek’ (or ‘Classical’) and ‘tragedy’.
We were challenged, as an audience, to reflect on whether and how one can explore aesthetics of fascism and its culture without forming a value-judgement embedded in grand ideological narratives (and the sweep of 20th/21st century history). It was especially useful, for me, to be asked to think hard about the origins…
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