One Friday evening in January (19th, to be more specific), a group of LANS students went to see ‘An Evening of Music and Dance‘ with the Birmingham Royal Ballet and Royal Ballet Sinfonia. This one-off concert consisted of an alternating mixture of classical music and dance excerts performed in the beautiful symphony hall, with introductions by the director of the Birmingham Royal Ballet, David Bintley. The pieces were generally light-hearted and joyful, and we all left with smiles on our faces.
The six dances showcased an impressive range of style and skill from the performers. The show opened with the Act III pas-de-deux from The Sleeping Beauty, a classical piece requiring a perfectly executed balance of strength and grace. This was contrasted with others, such as the far more contemporary After the Rain: pas-de-deux and the comedic La Fille mal Gardée clog dance, an entertaining fusion of ballet and tap performed in (you guessed it) clogs. My personal favourite was the finale: pas-de-deux and solos from Don Quixote. It was a fiery and exciting dance with many leaps and jumps culminating in a series of seemingly never-ending spins from the ballerina.
The music performed came from a variety of sources, including dance (The Miller’s Dance and Final Dance from The Three Cornered Hat), opera (prelude to Hansel and Gretal) and film (The Adventures of Robin Hood: suite). Beyond being able to say the pieces were performed very well, I do not know enough about music to be able to comment on them, so I turned to my more musically talented friends for advice (shout out to Alice Sharp and Joanna Stell)! They commented on the excellent Cor Anglais solo, as well as on the overall high-quality performance and well-chosen, entertaining pieces. They also liked how the music of Spartacus had repeated themes that changed subtly to reflect the emotions of the characters in the dance, with a more innocent variation for Spartacus’ wife that switched to a note of apprehension when he considered the war.
This concert was also of significance as it was the second to last performance of principal dancer Iain Mackay, who has been with the Birmingham Royal Ballet for 19 years. He and his partner, Jenna Roberts, danced After the Rain and Spartacus: adagio of Spartacus and Phrygia. According to the Birmingham Royal Ballet’s website “Iain created the role of the Prince in David Bintley’s Cinderella which premiered in 2010 and was broadcast on BBC Two to millions of viewers on Christmas Day that same year. He is also known for his outstanding performances as Romeo in Romeo and Juliet, the Third Seminarian in Carmina Burana and most recently for creating Prospero in David Bintley’s 2016 production of The Tempest.”1 He took his bow here to a standing ovation and huge round of applause.
Contributed by Eleanor Teather, LANS year 1